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When it tries to make the whereabouts of the personal consciousness clear in the process of the production, the sensory argument of my work starts from having noticed the existence of the "shake" outline.
My argument was changed into the work to the outline of physical , and expanded, and made it let the "existence of the skin" out of the work and the both sides of the statement to it as a fragment of the unconscious world from the outline of the expression.
I settle the element of the unconscious world and the consciousness world by having made this fragment distinct , and propose a "It shakes." rise-shrink movement as a movement which has the possibility that a feeling of the life is produced.
Several bags of some thin fibers put on the space of the gallery repeats expansion and shrinkage.
A nude image is projected there.
A nude image is left for the time being as an afterimage after what was being applied to the fiber or an image went out.
They were repeated quietly.
Pepper's Hiro
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